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Category Archives: Culture

BSL Sophomore Spotlight: Aya Saed

College Sophomore Aya Saed in Morocco

Interviewed by Bailey Brown

BAILEY BROWN: Where did you grow up?

AYA SAED: I was born and raised in Saudi Arabia but both my parents are Sudanese. My family currently lives in DC.

BAILEY: How do you identify with the black community?

AYA: I always assumed that I just did, and it never crossed my mind until one day my best friend in high school told me that I’m not black. At Penn, I’ve struggled with that a lot, but I think ultimately I find myself making my own identity. No, I’m not American. But at the end of the day, I am very passionate about issues involving people affected by race and specifically Africans or people of African descent. And the black community here is very diverse, so I definitely identify with the community. Especially as an UMOJA board member, I find that I not only identify, but have learned to represent the community to the greater Penn community.

BAILEY: Have your academic or career interests changed since coming to Penn?

AYA: At one point I was really business oriented, now I want to [do] something involved with social change, something more substantive for the larger community, maybe working for government agencies abroad NGO, and development stuff abroad focused on foreign service and humanitarian aid.

BAILEY: What are you involved in on campus? What drew you to these organizations?

AYA: I’m currently on the boards for Race Dialogue Project (RDP), Muslim Student Association (MSA), and UMOJA. All of these organizations define who I am and represent me. I feel I can help draw in people I want to add in my opinion to change how students are impacted by these cultural and racially centered organizations.

BAILEY: How have you spent your summers? Have you had any internship experiences?

AYA: This past summer I went abroad, I received a CURF grant to do research in Spain and Morocco to study Muslim economies. Although interviewing individuals was difficult I ended up adjusting, and I even had the chance to meet religious and economic leaders and even make contacts in Philadelphia.
I worked with an advisor and we’re working on a film, which will incorporate my interviews. Though I’m still in the process of working on the film, the project is on the Islamic currency. I interviewed people that have helped to make it happen, people who want to change the currency as part of [a] religious movement. Eventually I hope collaborate with the research advisor to write a part of his book, which will also be researching Islamic currency.

In addition to the CURF research project, I also did an Arabic program abroad. I received a government program to study abroad [at] AMIDEAST.

This semester, I obtained a Bread [and] Roses internship through the Civic House. Bread and Roses gives money to organizations in Philadelphia for social change. My job is to help these organizations around the city. I do workshops for these organizations, for instance, setting up Penn Pal accounts for online fundraising. I also conduct workshops and the people who attend are important leaders in their communities, advocating around issues like gun control and AIDS awareness organizations. I’m able meet a lot of important community leaders, and I have to be updated on local Philadelphia news.

BAILEY: How was your experience as a female living abroad?

AYA: It was a bit hard in Morocco because I was alone for most of it, and had to adjust to men talking to me in the street from the onset. It took me a while to realize that there was nothing I could do but ignore the unwanted attention. I eventually realized that I needed to be a bit more conscious of what I wore and how I carried myself. I eventually became really close friends with someone who began helping work on my research in Fez. Whenever I went out, I would go with her and her family, which made me more comfortable.

BAILEY: How was life in Morocco?

AYA: It was amazing! You can do anything from visit the beach, to taking trips to the dessert, to hiking, to jumping into falls. I had an amazing time. And the people there are so kind; they go out of their way to ensure that you’re having a fabulous time.

BAILEY: Were you challenged in any way by your experience abroad?

AYA: I had to rely on my judgment a lot since I was by myself and there was very little in terms of communication with my parents. So if I was lost or confused I couldn’t just call someone. I had to really be confident in what I was doing, to be outgoing and just introduce myself to people. I also got much closer to God and realized that I wasn’t alone after all.

BAILEY: How did you get your parents to agree to this program?

AYA: They were never comfortable with it, but since I got money to go and most of the trip was planned, they couldn’t really say no. They trusted me and the fact that I wanted to do this for a purpose, and was supported by the University and advisor. It was a very difficult decision and it most definitely was a leap of faith.

BAILEY: How did you find this opportunity through CURF?

AYA: Through the PURM program. I talked to some of the advisors there and they showed me all the various options to pick from. I applied to a few other ones also.

BAILEY: What is CURF?

AYA: CURF provides mentoring and research opportunities for students that want to do fellowships or research. Penn students have a lot of option to pick from, and CURF not only informs students of the resources but also guides them through the process. Definitely a place everyone should take advantage of!

BAILEY: What are your plans for this upcoming summer?

AYA: I’m travelling to the Middle East through the Ibrahim Dialogue Project. So I’ll visit Saudi Arabia, Dubai and Israel/Palestine with a group of kids from the U.S. I will also be working for Google in Mountain View.

Huckleberry FinNagle

Posted on

Image via Indyposted.com

by: Lexi White

Don’t chew with your mouth open. Don’t leave the restroom without washing your hands. Don’t wear swim trunks in the snow. Oh yea, and don’t mess with Mark Twain- laws of the land I thought we all followed. Publishers have announced that recent editions of a Mark Twain classic will censor the word “nigger” and replace it with the word “slave,” so as to make the novel more usable as a classroom tool. Surely Twain is turning in his grave.
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The “Mane” Problem

by: Tosin Bosede

As fall break came and went, so did many of the hairstyles donned by Black women on campus. The four day weekend was a period in which many students used to rest, catch up on some work, visit family, and get their hair done. The tresses of many were braided, relaxed, blown out, twisted, undone, etc. I was not taken by surprise on Wednesday when many of my friends were rocking a new do, myself included. But why do Black women change their hairstyles so often? Granted, like the clip celebrates through song, Black hair is alterable and basic styles like braids and twists are timeless. So much so that Sesame Street felt it necessary to share these styles with viewers in a song that lists a few of them using girl puppets of color. Cute.
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Happy Nigerian Independence Day!

Flag-map of Nigeria
Image via Wikipedia

The Vision just wants to take a moment out to acknowledge today as a momentous benchmark in Nigeria’s political history. 50 years ago today, on October 1, 1960, Nigeria gained its independence from the United Kingdom–adding to the wave of independence movements that were taking place throughout the mid-20th century on the African continent. We can only hope that as we move forward, we can continue to pay homage to those struggles that have preceded us, and continue to look to our senses of not only common ancestry, but also common struggle to move forward, as a multifaceted, but unequivocally connected community.

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Kwanzaa 2009

By Adriane Mc Cray

On the evening of December 3, 2009, students, faculty and alumni of the University of Pennsylvania gathered to celebrate a rich Black cultural tradition that holds great historical importance to the black community on campus: Kwanzaa. The annual Kwanzaa Karamu dinner is a routine part of UMOJA week, a week-long series of events hosted by UMOJA along with various Black student groups under its umbrella.

The Penn community filed into Houston Hall’s Bodek Lounge, occasionally chiming in on Donny Hathaway’s “This Christmas”, the Jackson 5’s rendition of “Santa Claus is Coming to Town”, and other soulful Christmas tunes. Everyone mingled and took their seats at the tables, decorated in black, white, and green African motif. The dinner opened up with a greeting by Makuu’s office coordinator, Constance Gordon, in the form of Kwanzaa’s Kukaribisha, or welcoming.
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Calabash 2009, Our Legends: Unmasked

By Marion Smallwood


The animate clatter of high heels, small talk and salsa steps, in company with the decor of red and gold balloons, face masks and cultural anecdotes, enveloped the unassuming atmosphere of the Bodek Lounge this Halloween– painting the setting of Calabash 2009, Our Legends: Unmasked.

The programs placed at each table shared the night’s line-up as well as a brief history of the origin of the event’s name: “‘Calabash’ is a bottle-shaped gourd, transformed by craftsmen into intricately decorated containers, aesthetic smoking pipes and unique musical instruments.” These items are created in both the Caribbean and Africa, and the link between the cultures has inspired a lasting Penn tradition.

Calabash has been the highlight of first semester at Penn for students celebrating the African diasporic culture for roughly ten years. Each year it is hosted by CASA, DHSA, Grupo Quisqueyano and PASA and is catered by Caribbean and African restaurants from the surrounding West Philadelphia community.

The scent of cultural foods incited eager, rumbling stomaches and tested the patience of many attendees—a nod to Calabash’s continued legacy of great food. Members of these organizations, other supporting groups like BSL and UMC, Calabash performers, and everyone in between, gave Beverly Sithole and Matthew Sylvester, presidents of PASA and CASA, their full attention as they began this year’s annual celebration.

Particularly evocative to DHSA members, although still meaningful for students of other cultures, was the first performance of the night. Carvens Lissaint, professional performance poet and Excelano Project representative, spit a poem entitled “Haiti”. 

Lissaint says the poem “is about the mental, emotional and painful struggles the [Haitian community goes through on a daily basis and how I relate and don’t relate to their struggles.” The first line, “Have you ever seen the apocalypse, in the eyes of a human,” was a poignant nod to the continued conflict in Haiti as well as an introspective way to jump-start the night.

Following Lissaint was dinner, which I for one, thoroughly enjoyed: jerk chicken, plantains, four different types of rice, lamb and macaroni and cheese (to name a few) made mouths water and legs skip. The food was indeed a tough act to follow, but African Rhythms left no one disappointed.

According to the website: “As a student-run African Drum and Dance Troupe at the University of Pennsylvania, African Rhythms, affectionately known as “AR”, represents the strength and beauty of African culture.” AR takes part in Calabash every year, joining the banquet each fall and last week, starting the night as the first cultural dance group.

Equally hype were dances by Onda Latina and Destination Hip Hop.

Onda Latina means “Latin Wave” and is the only dance group of its kind at Penn. Their presence at Calabash was fun and added a unique flavor to the nights events. Onda dancers Hallie Cope and Lori Le were dressed as a nurse and doctor, respectively, while doing the salsa, merging their reggaeton performance with the traditions of the day it fell on–Halloween.

The final performance of the night was by Penn’s only hip hop dance troupe, Destination Hip-hop, widely known as DH2. Dancers wore brightly colored t-shirts with flags hanging from their pockets to match, all the while performing difficult dance moves to the rhythms of reggae and soca. D’Andre Carr, last year’s Mr. Calabash and veteran DH2 dancer, joined the dance as dramatically as the steps, exploding from the closed doors of the Bodek Lounge with choreographed moves that led to the middle of the dance floor.

The evening ended with the Mr. and Mrs. Calabash dance competition, dubbing Penn senior Sheri Abdel Rahman as Mrs. Calabash. The competition was significant of Calabash’s ability to gather people of all cultural backgrounds; this year’s Mrs. Calabash is neither of African nor Caribbean descent, but Palestinian—and her title was well-deserved, the girl can move!

The sound of salsa steps and Reggaeton sounded until the very end of the event, when I left the Bodek Lounge this Halloween. If you weren’t in attendance, you missed out; it was truly a night to celebrate our shared histories and commemorate our legends.

Excelano Underground

By Petal Samuel

“So…I date black girls.”

Justin Reilly

Justin Reilly, senior in the Wharton School of Business, member of Penn’s basketball team, and veteran poet of The Excelano Project, Penn’s spoken word collective, had hardly completed the first sentence of one of his most recognizable pieces before the entire room erupted in recognition, excitement, and scattered affirmations. If this alone isn’t testament to the devotion of the multi-campus fanbase of The Excelano Project, and the packed room of students standing and sitting on the floor, stairs, and sidetables of the LGBT center still does little to convince you—then we’re assuming you’re either blind, or just haters.

Illana

Foregoing chairs in order to make as much room as possible for their fans, the Excelano project’s second underground show last Thursday evening garnered a strong turnout of students and as per usual, boded well for the group’s success this year. However, Excelano (or “EP”, a nickname given to it by its members and echoed by the group’s fans) has always shown a vigorous commitment to not only its own success, but to the craft in a wider sense—often paying particular attention to the voices of non-EP members. The group opened their Thursday night show, as is custom, with an open mic, for people who had signed up to perform prior to the show as well as anyone else in the crowd who felt moved to perform. The open mic this time ranged from non-EP spoken word artists to musicians, all of whom received the room’s vigorous support. It’s an understatement to say that the love in the room was palpable. The welcoming, familial environment where everyone in the room is invited to be moved, to be honest, and particularly to be inspired may be part of what makes the Excelano movement on campus so powerful. “Excelano”, the latin word for “march forth” signifies EP’s dedication to this sort of free-thinking, free-feeling atmosphere.

Josh & Alysia

Having recently lost funding from the Penn Student Activities Council (hence the term “underground”), student support this year has become especially important for the group. Regardless of this fact, The Excelano Project has managed to continue to fund its own shows—in part through donations given during their underground performances—and have continued to hold two shows per semester, with seemingly an even better turnout now than before they lost funding. Student interest in the group also remains strong: at the underground performance, the new recruits to the group made their debut to the community of EP fans. However, don’t confuse their status as newbies with their poetic prowess—all four of the newbies (Ilana Millner, Lauren Yates, Marion Smallwood, and Miles Hodges) performed brave, heartfelt poems that touched and awed the fans. I even heard a girl behind me exclaim in shock: “These newbies are good!” A sure sign that despite whatever struggles the group has endured, their standards for excellence surely haven’t changed.

Marion Smallwood

Interested in knowing more about The Excelano Project? Don’t forget to visit their website, www.excelanoproject.com and keep yourself up to date with their newest work and upcoming events. If you haven’t had an opportunity to go out and see an EP show, waste no time—join the movement.

Lauren Yates

“I am the voice of self-doubt masked as the voice of reason.” – EP newbie Lauren Yates

Chloe & Garrett

Chloe Wayne (right) and Garret Carey (left), EP’s director and associate director respectively.

Black Philadelphia. Own it. Run it.

Philadelphia SkylineBy Adriane M. Mc Cray

Exactly, what is Philadelphia to a Black Penn Student?

Do we, as Black Penn students, ever identify as intellectuals of the city of Philadelphia? Or perhaps as Philadelphians by way of Houston, Detroit, or Cleveland (insert your own hometown here)?

When questioned about resistance to leaving campus and exploring the city, students speak of cost and effort as factors in their decision. Some reported that the attraction to the city was not high enough to compel them. For student hailing from New York, Chicago, L.A, and other large urban cities, biases in favor of their own hometown might be their biggest struggle in adapting culturally to the Philadelphia.

Cities occupy a unique place in history generally and for Black America, in particular. Philadelphia’s history is politically, artistically, and intellectually rich with the stories of Blacks in the past centuries.

From a historical perspective, in choosing to attend the University of Pennsylvania, we have become students on the founding soil of this democratic nation. As the first capital of the United States, Philadelphia—specifically Old City—is decorated with our country’s birthmarks. Although the tales of minorities in America are never given adequate justice in mainstream history, Philadelphia claims this nation’s first African-American museum. The Freedom Theatre and the Declaration House are also sites of our Black cultural history in Philadelphia.

Many of us have longstanding connections with Philly, through the music scene—some favorites ranging from Musiq Soulchild to The Roots. Often forgotten are the rich blends that have collected over the decades from the historical musical innovators that got their start in Philly—like the soul of the O’Jays, local Jazz legend, John Coltrane, and the esteemed Patti LaBelle.

How often do we put down our IPods and MP3 players to explore the Philadelphia music scene live by visiting the Electric Factory, Warmdaddy’s, or the concert series and ethnic festivals at Penn’s Landing? An off campus visit could be a rediscovery to the threaded origins making up the musical fabric on which Philadelphia rests.

Finally, Penn seems to be the educational hub that houses our intellectual thought as Black college students. Some students claim it as one of few places students can interact with other young Blacks intellectually. Yet Philadelphia is uniquely situated as a college town for several universities. Schools such as Drexel, Temple, St. Joes, and La Salle, all stake claim to Philadelphia as their college hometown.

Only a train ride away, it seems probable that we “social ivy leaguers” might spark a connection with fellow Black collegians in the area. Some students complain that the small size of Philadelphia decreases its appeal. Arguably, this response might differ if the Black community we chose to associate with at Penn was widened to include the Black students of all universities in the area. A “Philadelphia Black Student Association” or “Black Philadelphia Student Convention” could be in our near future, beginning with the simple exploration of a few Penn students at other Universities.

If we choose not to claim Philadelphia as our temporary home, what is our advantage in receiving a high quality education in this diverse an urban location? How could we distinguish Penn over other rural and suburban campuses that offer a similar level of academic rigor and prestige?

If discovery is a key facet in a well-rounded education, then engagement with the community is a necessary part of our undergraduate years.

Make Black Philadelphia your own.

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