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Category Archives: Lifestyle & Community

4A’s 20th Anniversary Production: A Raisin in the Sun

Beneatha (Kalyne Coleman) and Ruth (Chevon Boone)

By Elizabeth Mensah

For all those who did not find themselves navigating to Class of ’49 at some point on the weekend of February 18-19, let me be the first to inform you of the gravity of your mistake! Kicking off the celebration of their 20th Anniversary, The African American Arts Alliance presented “A Raisin in the Sun” by Lorraine Hansberry, providing us with a dose of thoughtful entertainment and a glimpse into the lives and struggles of black Americans in the 1950’s. My fellow attendees can attest to the zestful flavor of the audience experience as it provoked our inclusion through active participation. Particularly solicitous of reaction was the well-rehearsed Nigerian accent of Keith Williams, a Wharton Senior who played the role of David Asagai, a West-African pan-Africanist who wooed the doctor-aspirant Beneatha (Kaylne Coleman) with his intellect and romanticism. Having donned his sweetheart with a Yoruba name he supposedly could not translate into English, Asagai’s first lines “Hello, Ilyo” had the crowd rolling.
As a strong supporter of 4A and admirer of artists in general, I cannot help but acknowledge both the new and familiar faces that appeared on the Raisin in the Sun program. I definitely want to lift up Chevon Boone (‘13) who delivered so believably in both the Fall and Spring show. It was clear that freshman Kalyne Coleman really jumped into character; Seniors Keith Williams and Joseph Wyatt took the stage in their first plays this semester, bringing their humor and personality to the stage. Adam Hamilton (Walter) displayed well the complexity of his character. Congratulations to the cast and crew on a remarkable production, and we hope to see more of 4A in the future!

Like Oil and Water

Penn campus
Image via Wikipedia

by: Lexi White

Some say oil and water don’t mix. Students proved otherwise last Tuesday evening in Huntsman 255, as the Penn brothers of Omega Psi Phi and the Drexel ladies of Lambda Tau Omega led a diverse group of students in a focused discussion about the intricacies of identity and interracial relationships. Mark Smith, senior Basileus of Penn’s Omega Psi Phi chapter, described the purpose of the forum as

“An opportunity to bring together cultures and to help others better understand their differences and self-identities and how these things influence our decisions when it comes to choosing relationships.” Pleased with the turnout of the event, Mark noted, “We had students [in attendance] from UPenn, Lasalle, Temple, Drexel, and Rowan, and a decent mix of men and women of different races.”

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Representative Ernest

by: Lexi White

Perhaps you received one of his mass emails. Perhaps you witnessed his passionate defense address at the Nominations and Elections Committee hearing. Perhaps you tuned into his radio show debut last Saturday night entitled “Ernestly Speaking.” Or maybe, just maybe, you were a “victim” to his controversial campaigning tactics in the competitive race for freshman class president. Regardless of how you first encountered freshman, Ernest Owens, one thing is likely true- the self-proclaimed “Penn Celebrity” said something that caught your attention. At the very least, you remembered his name.

Although the NEC disqualified Owens from the freshmen presidential election for having wrongfully submitted student votes against their knowledge, Ernest Owens was still named Class Representative of the Undergraduate Assembly, a title that now sits proudly atop his Facebook page and on the walls of several of his friends and followers. To say that Ernest Owens has acquired an audience in his short time at Penn would be an understatement, but even amidst his followers are students who question Ernest’s potential to properly “represent” both the freshman class as a whole and the black student community in particular. In light of the controversy surrounding Owens’ campaign, such concerns carry legitimacy.
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The “Mane” Problem

by: Tosin Bosede

As fall break came and went, so did many of the hairstyles donned by Black women on campus. The four day weekend was a period in which many students used to rest, catch up on some work, visit family, and get their hair done. The tresses of many were braided, relaxed, blown out, twisted, undone, etc. I was not taken by surprise on Wednesday when many of my friends were rocking a new do, myself included. But why do Black women change their hairstyles so often? Granted, like the clip celebrates through song, Black hair is alterable and basic styles like braids and twists are timeless. So much so that Sesame Street felt it necessary to share these styles with viewers in a song that lists a few of them using girl puppets of color. Cute.
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BSL Meet the Freshmen

by: Elizabeth Mensah

The University of Pennsylvania’s Black community welcomed its most recent additions at the annual BSL Meet the Freshmen event on Friday. The Black Students League’s first social event of the school year, this gathering creates a platform for the upperclassmen of the African Diaspora to reach out and offer everything from friendship to academic advice to their counterparts in the incoming class. In order to facilitate the formation of these bonds, the Black Students League also provides a mentoring program in which the newcomers are paired with the more experienced students, fostering closer relationships and adding a personal touch to the freshman acclimation process. For many, Friday’s affair was the beginning of that unique relationship, as several mentors and mentees met each other for the first time.
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Happy Nigerian Independence Day!

Flag-map of Nigeria
Image via Wikipedia

The Vision just wants to take a moment out to acknowledge today as a momentous benchmark in Nigeria’s political history. 50 years ago today, on October 1, 1960, Nigeria gained its independence from the United Kingdom–adding to the wave of independence movements that were taking place throughout the mid-20th century on the African continent. We can only hope that as we move forward, we can continue to pay homage to those struggles that have preceded us, and continue to look to our senses of not only common ancestry, but also common struggle to move forward, as a multifaceted, but unequivocally connected community.

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UA Election Reform: A “Black” Issue?

By Ryan Jobson, Guest Writer

On Sunday, the Undergraduate Assembly passed legislation to radically alter the Executive Board election process, notably recommending the direct election of future UA Presidents by the Penn student body. The bill, co-authored by current UA Chair Alec Webley and SAC Chair Natalie Vernon, must now be approved by a school-wide referendum, expected later this semester.

If you are unfamiliar with the current structure, scope, or procedure of the UA, you are not alone. In short, the UA Executive Board—consisting of the UA Chair, Vice Chair, Vice Chair of External Affairs, Treasurer, and Secretary—is currently internally appointed by UA representatives following elections each spring. The consequences of such a system are dire. Effectively, 10,000 undergraduates are rendered subservient to 33 elected members of the UA in selecting a representative of Penn students at-large. Penn remains the only Ivy League University that does not directly elect a student body President, accentuating its unfortunate inability to keep up with the curve.
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Ase Academy Presents…. The Butterfly Effect

by Juna Dawson-Murray, Guest Writer


When asked to describe Ase’s fundraising event, The Butterfly Effect, Tracee Thomas director of Ase and mentor to countless students at Penn and in the Greater Philadelphia community simply said, “The power of youth to effect change is amazing. Ase is a grass roots organization, the Butterfly effect was grass roots organizing.” Ase Academy is a nonprofit, academic and cultural enrichment program on Saturdays. Ase’s main focus is to help Philadelphia middle and high school students become leaders within their individual communities.

Recently, Facebook held a fundraising competition in which the group that received the most donations would receive an additional cash prize. In an effort to raise donations, Ase hosted The Butterfly Effect, which featured a variety of performing and visual arts from Penn students and artists from other universities and the Philadelphia community. The impressive list of artists included: Excelano Project, Lyrical Playground (a spoken word group based in Philadelphia), Freaks of the Beat, Destination Hip Hop, live painting by Ana Nunez, and music provided by DJ Huevos. Joshua Bennet, Vision Staff Writer and member of Excelano spoke highly of the arts saying, “The Butterfly Effect was a remarkable and perhaps unprecedented collision of hip-hop, personal narrative, the theater, and community activism. Featuring an ensemble of stage performers par excellence, there were moments where I felt as if my heart were going to abdicate its throne and frenetically run elsewhere.”

Though the Ase Saturday Academy did not win the overall competition, we did raise $15,000 on our own in only three weeks. Ase ranked third among all educational organizations participating in the competition. The competition itself and the Butterfly Event were both amazing experiences that participants are sure to remember for some time to come. ASE!

Ase is always excited to have new members in our family. If you are interested in getting involved with Ase Saturday Academy, please feel free to email our director Tracee Thomas at sankofachild@gmail.com , if you have an interest in urban education, or have a particular skill that you would like to teach to 6th-8th graders. Also, feel free to continue to support Ase by donating to us through Facebook causes.

Calabash 2009, Our Legends: Unmasked

By Marion Smallwood


The animate clatter of high heels, small talk and salsa steps, in company with the decor of red and gold balloons, face masks and cultural anecdotes, enveloped the unassuming atmosphere of the Bodek Lounge this Halloween– painting the setting of Calabash 2009, Our Legends: Unmasked.

The programs placed at each table shared the night’s line-up as well as a brief history of the origin of the event’s name: “‘Calabash’ is a bottle-shaped gourd, transformed by craftsmen into intricately decorated containers, aesthetic smoking pipes and unique musical instruments.” These items are created in both the Caribbean and Africa, and the link between the cultures has inspired a lasting Penn tradition.

Calabash has been the highlight of first semester at Penn for students celebrating the African diasporic culture for roughly ten years. Each year it is hosted by CASA, DHSA, Grupo Quisqueyano and PASA and is catered by Caribbean and African restaurants from the surrounding West Philadelphia community.

The scent of cultural foods incited eager, rumbling stomaches and tested the patience of many attendees—a nod to Calabash’s continued legacy of great food. Members of these organizations, other supporting groups like BSL and UMC, Calabash performers, and everyone in between, gave Beverly Sithole and Matthew Sylvester, presidents of PASA and CASA, their full attention as they began this year’s annual celebration.

Particularly evocative to DHSA members, although still meaningful for students of other cultures, was the first performance of the night. Carvens Lissaint, professional performance poet and Excelano Project representative, spit a poem entitled “Haiti”. 

Lissaint says the poem “is about the mental, emotional and painful struggles the [Haitian community goes through on a daily basis and how I relate and don’t relate to their struggles.” The first line, “Have you ever seen the apocalypse, in the eyes of a human,” was a poignant nod to the continued conflict in Haiti as well as an introspective way to jump-start the night.

Following Lissaint was dinner, which I for one, thoroughly enjoyed: jerk chicken, plantains, four different types of rice, lamb and macaroni and cheese (to name a few) made mouths water and legs skip. The food was indeed a tough act to follow, but African Rhythms left no one disappointed.

According to the website: “As a student-run African Drum and Dance Troupe at the University of Pennsylvania, African Rhythms, affectionately known as “AR”, represents the strength and beauty of African culture.” AR takes part in Calabash every year, joining the banquet each fall and last week, starting the night as the first cultural dance group.

Equally hype were dances by Onda Latina and Destination Hip Hop.

Onda Latina means “Latin Wave” and is the only dance group of its kind at Penn. Their presence at Calabash was fun and added a unique flavor to the nights events. Onda dancers Hallie Cope and Lori Le were dressed as a nurse and doctor, respectively, while doing the salsa, merging their reggaeton performance with the traditions of the day it fell on–Halloween.

The final performance of the night was by Penn’s only hip hop dance troupe, Destination Hip-hop, widely known as DH2. Dancers wore brightly colored t-shirts with flags hanging from their pockets to match, all the while performing difficult dance moves to the rhythms of reggae and soca. D’Andre Carr, last year’s Mr. Calabash and veteran DH2 dancer, joined the dance as dramatically as the steps, exploding from the closed doors of the Bodek Lounge with choreographed moves that led to the middle of the dance floor.

The evening ended with the Mr. and Mrs. Calabash dance competition, dubbing Penn senior Sheri Abdel Rahman as Mrs. Calabash. The competition was significant of Calabash’s ability to gather people of all cultural backgrounds; this year’s Mrs. Calabash is neither of African nor Caribbean descent, but Palestinian—and her title was well-deserved, the girl can move!

The sound of salsa steps and Reggaeton sounded until the very end of the event, when I left the Bodek Lounge this Halloween. If you weren’t in attendance, you missed out; it was truly a night to celebrate our shared histories and commemorate our legends.

Groove Phi Groove S.F.I Presents…Open Mic Groove

By Darryll Oliver

Darryll 2

Cortney Charleston '12

“Minds making excuses for broken glass hearts/Left in pieces on the streets of Roseland/Crystal shards of a sincere smile named Derrion Albert that/Never made it home from school”

Lines like these, performed by spoken-word artist Cortney Charleston, are what best embodied the mood of the evening. The Open Mic Groove, hosted by Groove Phi Groove Social Fellowship, Incorporated, gave an opportunity to young, independent rising student artists to broadcast their talents. As an open mike event, it allows for many artistic expressions, whether poetry, song, comedy, or any other such piece. Those who attended the event were presented with all those art forms in the cool, intimate atmosphere of The Bubble Tea House.

Steven Allen, a talented, singer and songwriter, kicked off the evening with two of his originals “Never,” and “No, It Can’t Be True.” The songs took an introspective look into relationships and characterized the emotions that emanate from them. Freshman, Amber Scott delivered a poem, titled “This Is For You,” about her affection for her mom and dad, which wrapped up her unique family experiences and growth over the years. Another freshman and member of the Penn Track & Field team, Aderinola stepped up to the mike and performed a poem titled “Addicted”, surrounding the difficulty of trying to leave something to which you are addicted. The artist quoted earlier, Cortney Charleston, was able to re-package current events, such as the memory of the murder of Derrion Albert, and present it in a more personal, poetic form. The Young Broke Romantics, a duo of Dan Higgins (who plays the harmonica and guitar), and Alec Bleday (the emcee) animated the audience by writing ad-lib songs about a random topic of the audience’s choice. Bleday’s rhapsody about passion fruit bubble tea kept the audience off their seats with laughter, while Higgins was amazingly able to keep his composure, holding the beat without cracking a smile. The Open Mic Groove is one of many events which represent the community organization of the social fellowship, dedicated to celebrating the artist and his/her craft. The next show will be in the Dubois Multi-Purpose Room, on Friday, November 13th, and there are still many slots available for any artists who would like to perform.

Darryll 3

Amber Scott '13

If you’re interested in being a part of the upcoming Groove Open Mic on November 13th, please contact Darryll Oliver at darryllo@sas.upenn.edu. For more information about Groove Phi Groove, please visit http://www.gphig.org/.

Darryll 1

Darryll Oliver '11, President of Groove Phi Groove S.F.I Quaker Chapter

Groove Phi Groove Social Fellowship was first started in 1962 at Morgan State College (now Morgan State University) by fourteen Black American men who felt the need to create an innovative organization to change the way we think about brotherhood. Driven by the monumental Civil Rights and Black Power movements, they felt it was necessary to provide brothers on and off campus with a fellowship that was proactive in taking action in the community. The aim is to push black males toward positive initiatives, and promoting unity, intelligence and effective leadership, to study and help alleviate the many social and economic problems concerning society in order to improve the status of mankind. Today, Groove Phi Groove Social Fellowship Incorporated has over 30,000 members nationwide.

It Takes a Village

By Adriane Mc Cray

“It’s hot… it’s small…it’s home.”

 

Gerald Andah, sophomore in the College, sticks to simplicity in describing Ghana. It was apparent that words could do his homeland justice.

 

For some students like Andah, home is simple to explain. In a discussion with your fellow Black classmates, some students defined home as a location—where their permanent addresses, beds, and mothers currently reside. A New York native complicated the conversation with specifics of a burrow, proximity to sub lines, and cross streets. A southern sister recalled the warmth of children playing, big yards, and a social neighborhood. Upon further questioning, home clearly was understood as a culture made up of their family, friends, and customs for these students.

 

Andah says it best, “It’s what we know.”

 

While some students have ease in identifying this place called home, other students grapple with defining a single entity. Claiming their African or Caribbean societies where their larger families have roots, first generation Americans have views of home separate from the neighborhoods surrounding their permanent U.S address.

 

“[Home] is a hairdresser in the kitchen, a view from the 18th floor…and [Jamaican] patois,” a Bronx native shares, while hinting at her Caribbean roots.

 

Penn Students

Many students admit that Penn is even considered home. A prideful Prince George’s county native expressed that home is something he struggles to define because he spends more time at Penn than in “PG” county. The amount of time spent over the course of four years almost requires us to acknowledge some type of connection to Penn beyond academics. So how does Penn fare as a home?

 

Although some consider Penn to be different from home in the sense of family and childhood familiarity, Penn is our hub during our prime years of intellectual growth. Penn houses an alternative sense of family with cultural communities and social groups on campus. For Black students in particular, our culture is strengthened by the support of our cultural center, Makuu, and the student groups under the UMOJA umbrella.

Class of 2012 Onyx Society Freshman Honor Roll

Class of 2012 Onyx Society Freshman Honor Roll Recipients

Our performing arts groups dedicate their time to share performances rooted with black culture, preserving their own place in history of black arts and our political and purpose groups work to protect our place in respective academic fields. Our sub-cultural groups nurture the diversity within our black student body and our historically black fraternities and sororities bring century-old traditions of service and high achievement of our forefathers to campus. Our publications and social fellowship groups make efforts to spread ideas for the betterment of the Black Penn students and the greater black community and our faith groups exchange positivity and hope to keep us grounded in our own beliefs.

 

Many Black students claim that the nurturing and close-knit aspect of the Black community on campus is reminiscent of our respective homes. Students attributed openness, social forwardness, and spirited support for successful classmates to be characteristics the Black community that make students feel more at home.

 

Interestingly, when asked if anyone was excluded from the Black Penn community, the consensus was that while the Black community is indeed comprised of Black students, it seemed to include “the wise,” or any student that was interested or found relevance in Black issues and people. One student suggested that the only ones that are excluded are those that exclude themselves. That is to say, the Black Penn community is welcoming and readily available for any student who chooses to use is resources.

 

To: The villages that raised the children

From: The Black Penn community that nurtures them today

“Your children are in good hands.”

 

Penn Students in the Community

Under the Influenza

By Joshua Bennett

Under the InfluenzaAs I write this, some mysterious strain of the flu virus is kickboxing my immune system into submission. To be honest, I’m not quite sure where it came from. I’m inclined to believe it arrived earlier this week when I shook the hand of a young man (who will remain unnamed, lest this tale of his germiness make his sickly week even more unbearable) after he received his own flu shot earlier that morning. Foolish choice, I know. Nevertheless, in an effort to communicate male solidarity and an air of situational command I deployed the age-old farewell as I took my leave. What happened after would drastically alter the course of young life. Sort of.

Over the next two hours or so, my insides began to resemble the womb of a volcano. I’m talking muscle aches, astronomical fever; coughs that sounded more like the wails of a dying porpoise. Though several of my close friends (shout out to fellow Vision staff member, Marion Smallwood) went to exceptional lengths to repair my ailing body through the use of TheraFlu, chicken noodle soup, and purple love-joy aura energy, nothing seemed to work. My body had become a car running on empty, Bert Without Ernie, a spoon in a drawer full of forks. Now, while few if any of the previous sentence’s metaphors may make sense upon first glance, you’ve got to understand where I’m coming from here. It’s influenza! Granted, it may not be the Spanish influenza, or even that of the swine persuasion that has relegated much of the Western Hemisphere to the farthest reaches of personal and collective trepidation as of late, but it’s definitely an unpleasant biological experience to say the least.

In many ways, my current bout with the flu has urged to me to rethink what it means to be human, to challenge the traditional lens through which I think about what the human body should look like, feel like, do. Now inhabiting a far more limited range of physical motion and verbal dexterity (anyone who has recently had the flu can attests to its debilitating affects on rapid-fire brain function, e.g. one’s ability to viciously clown people), I have been forced to appreciate the beauty of being still, of laying under a trio of warm, cotton comforters and taking in the music of a New York City street four hours before dawn. I’m a firm believer that sometimes our moments of unexpected physical weakness or illness are reminders from our bodies to slow down and rest more. Surely I can speak for any number of students at Penn when I say that more often than not our weeks are little more than a blur of textbook pages, parties, and PowerPoint slides, a seemingly interminable cycle of sensory overload that drives us to our physical and mental limits without ever offering the possibility of rest and rejuvenation.

So, if nothing else, take this brief recounting of my war with influenza as a mix between cautionary tale and Bildungsroman. May it remind you to be both selective with your handshakes and more generous to your bed sheets, to rest long enough in the middle of the rat race to appreciate the fact that you can run at all. We only get to rent these bodies for a couple decades or so, why not take care of them the best we can?

Outbreak

By Joshua Bennett

OutbreakFor anyone who has seen me on Locust Walk over the past 3 years, one thing is clear: I am no stranger to the hypnosis of music. On most days, I can be found jostling with a distinct musicality in my stride, unfazed by the confused looks of passersby or subconscious worries about African American stereotypes. To say it plain, I dance to class because I feel like it, son. Now, while this may seem like an unnecessarily strong position to take concerning what appears on the surface to be a personal matter of sorts (one arguably undeserving of critical attention or even the continued energies of your reading eyes) I refuse to be vilified for my unwillingness to stop rocking the boogie. Yet, in a diplomatic effort to clarify my affinity for seemingly random moments of cutting the rug, as it were, I would like to offer up my personal battle with what will herein be referred to as HPDS (Hot Party Deprivation Syndrome) as a case study for a prevailing issue in the Black community at the University of Pennsylvania.

I first recognized symptoms of HPDS when I found myself spending most Saturday nights indoors with a box of graham crackers and the Garden State Soundtrack on repeat. Now, while there is clearly nothing inherently problematic about the above scenario, one must take into account several vital aspects of the situation to fully understand what’s wrong with this picture: 1.) It’s Saturday night, people. 2.) The Garden State Soundtrack has not a single head-knocking anthem that will cause di gyals to buss a dance, wine up di waist, etc. and 3.) I’m far too old to be eating graham crackers with no sort of culinary complement to bring out the full flavor of the crunchy, delicious treat. An air of undeniable whackness was pervasive this particular night, a troublesome cloud of boredom and quarter-life-crisis anxiety that I couldn’t quite shake. I wanted to party; I simply had no canvas upon which to imbue this dream with life, no dance floor to glide across like a spit-shined moon. As any logical hipster would do in this situation, I called my boys. To my chagrin, they had all (and by “all” I mean the three homies I don’t actually go to school with) apparently been about to call me to see what was “crackin’ at Penn,” a phrase that has become more and more paradoxical as this lackluster party year has dragged on. I announced, via both text and Twitter that I was going to sleep early that night; feigning the sort of responsible behavior I often hope I stumble onto one of these days before graduation.

For many of us, there are too many of these sorts of nights: evenings spent wandering between different frat parties from which many of us are either outright denied admission for being a tad too brown for the décor, or allowed inside only to leave minutes later thoroughly unsatisfied by fetishistic comments and poor musical selection. Point blank: there need to be more spaces for Black folks to comfortably party together. Until there are, you can find me most days on Locust Walk self-medicating through the beats emanating from my headphones. I’ll probably be dancing; trying hard as I can to remind my feet what they were made for.

Spruce Street

By Marion Smallwood

Spruce Street

Samantha Osborne as "Cyndi Webster", Glenn Williams as "Charlie Pitts", and DeAnna Supplee as "Mae Addison" in Spruce Street.

On October 4, 2009, the short scripted “reality” show Spruce Street, made its premier debut on Youtube. The first episode, Oos Cereal starred Samantha Osborne as Cyndi Webster and DeAnna Supplee as Mae Addison. The third and final cast member is Glenn Williams, who appears as Charlie Pitts in episode two, Youtube.

The President of CastlePrillen Productions and the creator of the show, Steven Allen says he created the project to help him and his friends with their future goals. The actors currently are all good friends of Allens’ and each have varying degrees of experience on stage.

“I have been performing in theatre since I was seven in the second grade,” says Supplee, “Penn allowed me to broaden my theatre horizons even more when landing larger roles such as Meg Magrath from Crimes of the Heart, Rebecca Gibbs in Our Town, and earning a song and monologue as Jenna, in 4A’s Fall ‘09 production Soul of the Entertainer.”

Osborne and Supplee are both active in the African American Arts Alliance (4A). On Spruce Street, their respective characters, Cyndi and Mae, are roommates and the main personalities in the show.

Glenn Williams’ history in acting (in the traditional sense) isn’t quite as glamorous, but rather he maintains that his daily “performance”, in the more sociological sense is the source of his experience: “I have no previous acting experience except the acting forced upon me by the world and society.” Williams character Charlie Pitts “is not a main character but a supporting character to the polarized personalities of the girls. He often acts as the voice of reason to their arguments, disputes and opinions”, says Williams.

The conflicts created for the show are the work of writers Courtney Paul and Janay Sylvester and the multi-talented, Glenn Williams. However, Allen wrote the script for the Oos Cereal episode and is responsible for the witty humor of lines like, “I know that I’m magical, but my name ain’t trick. It’s Mae” and “She played a game with my milk!” With lines like these, the script definitely manages to deliver on both realistic and comical levels.

While there are only sophomores involved in the project now, Allen says he is “looking to expand next semester” by holding tryouts and working with other classes. He hopes the company and the show will grow throughout and beyond his remaining years of college.

The show airs Sunday evenings after 5 p.m on Youtube. Check out the Spruce Street official fan page on Facebook for updates.

Black Philadelphia. Own it. Run it.

Philadelphia SkylineBy Adriane M. Mc Cray

Exactly, what is Philadelphia to a Black Penn Student?

Do we, as Black Penn students, ever identify as intellectuals of the city of Philadelphia? Or perhaps as Philadelphians by way of Houston, Detroit, or Cleveland (insert your own hometown here)?

When questioned about resistance to leaving campus and exploring the city, students speak of cost and effort as factors in their decision. Some reported that the attraction to the city was not high enough to compel them. For student hailing from New York, Chicago, L.A, and other large urban cities, biases in favor of their own hometown might be their biggest struggle in adapting culturally to the Philadelphia.

Cities occupy a unique place in history generally and for Black America, in particular. Philadelphia’s history is politically, artistically, and intellectually rich with the stories of Blacks in the past centuries.

From a historical perspective, in choosing to attend the University of Pennsylvania, we have become students on the founding soil of this democratic nation. As the first capital of the United States, Philadelphia—specifically Old City—is decorated with our country’s birthmarks. Although the tales of minorities in America are never given adequate justice in mainstream history, Philadelphia claims this nation’s first African-American museum. The Freedom Theatre and the Declaration House are also sites of our Black cultural history in Philadelphia.

Many of us have longstanding connections with Philly, through the music scene—some favorites ranging from Musiq Soulchild to The Roots. Often forgotten are the rich blends that have collected over the decades from the historical musical innovators that got their start in Philly—like the soul of the O’Jays, local Jazz legend, John Coltrane, and the esteemed Patti LaBelle.

How often do we put down our IPods and MP3 players to explore the Philadelphia music scene live by visiting the Electric Factory, Warmdaddy’s, or the concert series and ethnic festivals at Penn’s Landing? An off campus visit could be a rediscovery to the threaded origins making up the musical fabric on which Philadelphia rests.

Finally, Penn seems to be the educational hub that houses our intellectual thought as Black college students. Some students claim it as one of few places students can interact with other young Blacks intellectually. Yet Philadelphia is uniquely situated as a college town for several universities. Schools such as Drexel, Temple, St. Joes, and La Salle, all stake claim to Philadelphia as their college hometown.

Only a train ride away, it seems probable that we “social ivy leaguers” might spark a connection with fellow Black collegians in the area. Some students complain that the small size of Philadelphia decreases its appeal. Arguably, this response might differ if the Black community we chose to associate with at Penn was widened to include the Black students of all universities in the area. A “Philadelphia Black Student Association” or “Black Philadelphia Student Convention” could be in our near future, beginning with the simple exploration of a few Penn students at other Universities.

If we choose not to claim Philadelphia as our temporary home, what is our advantage in receiving a high quality education in this diverse an urban location? How could we distinguish Penn over other rural and suburban campuses that offer a similar level of academic rigor and prestige?

If discovery is a key facet in a well-rounded education, then engagement with the community is a necessary part of our undergraduate years.

Make Black Philadelphia your own.

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